‘Expiration | Inspiration’ is a collection of images shot on expired Polaroid Type 55 large format film with a Linhof Technika. The film ranges in date with the youngest of the film expired in 2007 and the oldest in 1997. The first edition contains 15 images & the first NFT collection by Richard Pilnick.
This collection explores the notion of what is real, for if we see, is it really there..? The chemicals have dried in the pods, thus exposing only part of the image. A photographic representation of our Matrix, or more rather, a glitch in our Matrix, showing how reality is vailed by our own perception and preconceived notion of reality. This vailed perception also represents the struggles within the mind, that of self acceptance and of questioning our place in this world.
From these expired images, may we draw inspiration with seeing, as if we’ve opened our eyes for the first time. May we find strength within ourselves, to let our light shine bright for the world to see.
As we look to nature to find purpose in the self, we see the cycles, we watch the passing clouds, the waves come and go, the tides ebb and flow, the sun rises and sets. Ever changing, never ending, each passing moment witnessed perfectly imperfect. A peony flowers for around 14 days each year, so the reality is, the beauty of the peony is in the other 351 days, for without them, the peony would not be so.
It is in the unseen, not the seen, where true beauty lies...
Perfect imperfection is admired in the natural world, we watch without judgement at the beauty before us, the way each flower differs from the next, how the trees bend towards the light. Yet when we look to the self, this is eroded, ‘it should be this way, or that’, and we try to change that which is before us, casting aside something we deem to be imperfect or a failure. But what is failure...? Surly ‘failure’ is only so, if we allow it to be, if that dip in the road stops us in our tracks, but if we continue, life will blossom...
Expiration | Inspiration is just that, each sheet of expired film tells its own story of the struggles within the creative mind, a test from the universe to see if one will continue. The youngest of the film expired in 2007, so each time a sheet is loaded one asked ‘will this one work’, eagerly awaiting the timer to peal apart the film. There she is, the chemicals have started to dry leaving areas undeveloped, creating an abstract beauty, a beauty at first instinct is a failure, but with time and space renders a differing opinion.
This failure is synonymous with the struggles of artist’s mind, those moments when you struggle to show up for the self, when you question all that you are. For they show the days when you can’t show up, when the pain is too much and you turn the alarm off and roll over, the tears rolling as you questions your self worth. But that exhalation is always followed by the following inspiration, as important to appreciate as those moments of achievement, they are all on the road to success…
Richard Alexander Pilnick was introduced to photography at a very young age by his father, an engineer who spent many years working away in Asia and the Far East. He would document his trips with an old Pentax - this became a deep personal connection point for father and son and a joint passion to share and explore together. Now, Richard shares his own experiences and the lives of others through the medium of photography, capturing the essence and beauty of the unique souls of this world.
Using medium and large format film photography, Richard is noted for the unobtrusive manner with which he relaxes his subjects, effortlessly imbuing their faces with serene and unperturbed expressions. For Richard, photography is his doorway to different cultures and traditions, it is a moment captured, a feeling, an emotion, a silent form of communication and a message to be interpreted and appreciated through many generations with no geographical boundaries.
Richard's work has been exhibited in various locations around Europe and Asia, most notably in the National Portrait Gallery in November 2013 Richard was exhibited as part of the 'taylor wessing photographic portrait prize 2013'.
His work has been commissioned internationally for both commercial and editorial uses, Richard Pilnick is available for both commercial and personal commissions.
Born in 1981 in Nottingham, England, Richard Pilnick lives his life with intention, dedicated to his passion.
Yesterday’s dream is tomorrow’s history
In search of what would become the Tree of Hope.
In 2019 I was driving around the UK in search of a tree. I had a specific vision, a tree with an unobstructed background, with a full head, you know the type - we all drew the same one when drew our first tree. But then I went to the Village of Hope in the Peak District and fell in love. I found 3 incredible trees, all with their own unique personality, and I captured them all on Polaroid Type 55, Hope April 6th 2019 (this one) & Hope May 5 2019 were in the same filed, well technically not, as they had a gate separating them, were joint second place…
Me, my son and his worm... A few days before this shot, I found out my son had worms - I always get checked before leaving India. This to me symbolises the worm leaving.
In search of what would become the Tree of Hope.
In 2019 I was driving around the UK in search of a tree. I had a specific vision, a tree with an unobstructed background, with a full head, you know the type - we all drew the same one when drew our first tree. But then I went to the Village of Hope in the Peak District and fell in love. I found 3 incredible trees, all with their own unique personality, and I captured them all on Polaroid Type 55, Hope April 6th 2019 & Hope May 5 2019 (this one) were in the same filed, well technically not, as they had a gate separating them, were joint second place…
On the edge of the abyss, where the light meets the dark, we can find our way to dive deep into our broken heart, for those cracks are how the light can pour in…
There is a glitch in our Matrix
There is a glitch in our Matrix, an error with the coding, just for a moment, we are left wondering, what is real…
We look into the mirror and we hear the voice, who am I
We look into the mirror and we hear the voice, who am I.
But, who is asking the question as the lips never moved… It is in this space of solitude we find the answers, we are divine beings of light, it is the soul asking, it is a question from the quantum field, a message to spur us on the quest of our life’s divine purpose…
It’s how we respond, that changes the course of our life…
When I witness the flower, what do I really see, and who is really seeing…?
When I was a child, I wound lie on the sofa watching the tv, not what was on the tv, but the tv itself. After about 5 minutes gazing just beyond the screen, it would vanish into the distance I would leave my body and watch myself from above watching TV, I had crossed the quantum field - the viewer became the viewed.
Now I ask myself, when I witness the flower, what do I really see, and who is really seeing…?
Do I leap, or stay comfortably numb…?
It is on the edge of the unknown that we found ourselves, a fresh pair of eyes to see with wonder as if witnessing the world around us for the first time. It is in these moments of deep contemplation, meditation, that the path is laid before us, intuitively we know it’s the right way to go.
But the question still remains, do I leap, or stay comfortably numb…
I am enough, a divine being, perfectly imperfect, with a mission in this life. I’ve been here before, I know because I keep having these ‘déjà vu’, messages from within the aether, being transported to another time, just for a moment…
Fear, what is fear…?
As we stand on the edge of the unknown, our hearts beating, our senses heightened, a bead of sweat appears on our brow, our ears tuning in to the sound of our own breathe, that visceral feeling deep within - and then we dive deep into that void. We are free, flying high, the unknown has become known and we are reborn with a new barometer of what is real.
We have mastered the mind, just for a moment.
It is in the unseen, not the seen, where true beauty lies
58°35'50"N4°1'5"W - Strathy Point, Thurso, Scotland.
I had my first cancelation due to the pandemic in early March 2020, I'd already picked up the rental car so I went for a drive around the UK with a view to be inspired, see and create. Whilst heading down to Lands End, I decided to see if I could shoot a Photographic compass of the UK. So that I could piece the story together on the way, I decided to shoot the majority digitally, so I could lay out the images on route.
There were some locations that were just too majestic not to shoot on my beloved Polaroid Type 55, and here at Strathy Point Lighthouse was one of them. This is the central point along the Northern Scottish coast, so is Due North on the compass. I headed out from the B&B around 06:00 so I could be shooting at first light, this combined with the Polaroid's low ISO rating of 25 enabled me to capture the sea in this misty way. But again, it's the character that comes through from the film that is 17 years past its use by date that makes this so special.
58°35'50"N4°1'5"W - Strathy Point, Thurso, Scotland.
I had my first cancelation due to the pandemic in early March 2020, I'd already picked up the rental car so I went for a drive around the UK with a view to be inspired, see and create. Whilst heading down to Lands End, I decided to see if I could shoot a Photographic compass of the UK. So that I could piece the story together on the way, I decided to shoot the majority digitally, so I could lay out the images on route.
There were some locations that were just too majestic not to shoot on my beloved Polaroid Type 55, and here at Strathy Point Lighthouse was one of them. This is the central point along the Northern Scottish coast, so is Due North on the compass. I headed out from the B&B around 06:00 so I could be shooting at first light, this combined with the Polaroid's low ISO rating of 25 enabled me to capture the sea in this misty way. But again, it's the character that comes through from the film that is 17 years past its use by date that makes this so special.
The interaction between the negative space and the rock formation adds to the drama, with the connotations that the magic happens just the other side of fear...
I am Spirit. Can your camera reflect the omnipresent Invisible - Lahiri Mahasaya. The great Indian Saint had many photographers try to capture him, all but one failed. Has the great Lahiri Mahasaya reincarnated as this Bougainvillea…?
Charity donation
Each collection moving forward will work to support a charity or non-profit organisation that works in a field that is represented in the images, whether literally - a location the images were shot, or metaphorically - an interpretation of the images. 40% of the initial sale of all pieces with be donated.
For ‘Expiration | Inspiration’ collection we will be donating 40% of the initial sale to a charity connected to mental health, as an artist, I have personally suffered so I know how important this area is. The connection with the expired film and the unexposed sections become synonymous with this mental suffering. And in some way, the idea that the mind is literally expiring before our very eyes, this deterioration of memory could also be represented in the expired film.
Future Collections
Work is underway on future collections, which will be dropping in the coming months. Profits from the sale of collections will go towards production of projects in the coming years. My vision is a way to create a space to sustain my creative journey, leaving my mind free to explore.